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contemporary photography
contemporary photography


 

Ballen is one of the most important photographers of his generation. He was born in New York in 1950 but for over 30 years he has lived and worked in South Africa. His work as a geologist took him out into the countryside and led him to take up his camera and explore the hidden world of small South African towns. At first he explored the empty streets in the glare of the midday sun but, once he had made the step of knocking on people’s doors, he discovered a world inside these houses which was to have a profound effect on his work. These interiors with their distinctive collections of objects and the occupants within these closed worlds took his unique vision on a path from social critique to the creation of metaphors for the inner mind. After 1994 he no longer looked to the countryside for his subject matter finding it closer to home in Johannesburg.

Over the past thirty years his distinctive style of photography has evolved using a simple square format in stark and beautiful black and white. In the earlier works in the exhibition his connection to the tradition of documentary photography is clear but through the 1990s he developed a style he describes as ‘documentary fiction’. After 2000 the people he first discovered and documented living on the margins of South African society increasingly became a cast of actors working with Ballen in the series’ Outland and Shadow Chamber collaborating to create disturbing psychodramas.

 The line between fantasy and reality in his series’ Boarding House and Asylum of the Birds (published in the Spring of 2014 by Thames and Hudson) has become increasingly blurred and in these series he has employed drawings, painting, collage and sculptural techniques to create elaborate sets. People are now often absent altogether; replaced by photographs of people used as props, by doll or dummy parts or where they do appear it’s as disembodied hands, feet and mouths poking disturbingly through walls and pieces of rag. The often improvised scenarios are completed by the unpredictable behaviour of the animals which appear snapped in an instant of observation. Ballen has invented a new hybrid aesthetic in these works but one still rooted firmly in photography.

 

Awards:

  • Lifetime Achievement Award, Bokeh SA Awards 2019
  • Honorary Doctor of Art and Design, Kingston University, United Kingdom 2018
  • The Asia Pacific Brands Foundation Legendary Award, 2017
  • Süddeutsche Zeitung Magazin, Edition 46, Artist of the Year, published on 14 November 2014
  • Best Music Video, I Fink U Freeky, Plus Camerimage International Film Festival of the Art of Cinematography in Bydgoszcz, Poland
  • I Fink U Freeky. Award for best music video at the 20th Short Vila do Conde International Film Festival, Portugal, 2012
  • Finalist – Lucie Awards
    Curator/Exhibition of the Year: Roger Ballen: Photographs 1982 – 2009. Curated by Dr. Anthony Bannon for the George Eastman House, Rochester, New York.
  • Art Directors Club Award Photography – 2006
  • The Selma Blair Witch Project – New York Times Magazine, October 31st 2005
  • Top 10 Exhibition, Matthew Higgs, Artforum-2004
  • Citigroup Prize, finalist, UK – 2002
  • Photographer of the Year, Rencontres d’ Arles – 2002
  • Top 10 Exhibition, Vince Aletti, Artforum – 2002
  • PhotoEspana, Best Photographic Book of the Year, Spain – 2001
  • Photo-eye, Best Documentary Title, Best Photography Books of 2001
  • Sani Festival, Best Solo Exhibition, Greece, 2000
  • Special mention: UNICEF Photo of the Year 2001